I’ve been keeping everything reasonably hush hush on here with the work i’ve been producing these past six months. Keeping everything secret until the opening of the Duncan Of Jordanstone Degree Show, which opened last Friday in a whirlwind. Only now am I slowly being able to make my way around the show looking at what everyone else has been up to. And it’s all incredible. If you haven’t been already, I suggest you get down quickly, as the last day will be this Sunday 27th May.
Anyway, i had a huge turn around in January, moving on from the cyanotype process id been focusing on September to December, but still keeping the floral theme strong. Even stronger in fact. It came about as i looked back through my research work and found some very strong and atmospheric photographs i’d taken and went back into researching a huge love of mine, Renaissance paintings by The Old Masters. Wanting to take influence from their dark and dramatic paintings and opulent colour palettes to create rich and lavish designs for interiors. While juxtaposing the old style with new technology. I took on the design challenge to reinvent the floral design that is so omnipresent in today’s textile industry, giving it a classical twist while using the technology of the 21st century.
And that’s how my digital work came about!